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Check out the following films:
400 Blows

400 Blows [PG]

First of François Truffaut's autobiographical Antoine Doinel series is a study of a Parisian youth who turns to a life of small-time crime as a reaction to his derelict parents.

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Gunga Din

Gunga Din [G]

Based on Rudyard Kipling's poem. 19th century India, and three British soldiers and a native water bearer must stop a secret mass revival of a murderous cult before it can rampage across the land. Hmm..

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Jules Et Jim

Jules Et Jim [PG]

Francois Truffaut's memorable tale about three people in love, and how the passage of time affects their relationships. A film of extraordinary beauty and charm.

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Ran

Ran [M]

Kurosowa's variation on

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Room Service

Room Service [G]

A penniless theatrical producer must outwit the hotel efficiency expert trying to evict him from his room, while securing a backer for his new play.

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Showgirls

Showgirls [R18+]

A lot of people call it the worst movie ever made but you’d be more accurate calling it one of the funniest. A beautiful but obnoxious drifter arrives in Las Vegas hoping to make it big as a showgirl. On route she rubs up against an endless procession of sleaze-bags and predatory lesbians, has sex in a swimming pool with Kyle Maclachlan and mispronounces a major fashion label.

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Breakin' 2: Electric Boogaloo

Breakin' 2: Electric Boogaloo [M]

There’s only one thing better than a bad movie and that’s a sequel to a bad movie – and ELECTRIC BOOGALOO is the best bad movie sequel ever!

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Death On The Nile

Death On The Nile [M]

Another all-star cast headed by Peter Ustinov who began his long association with the Hercule Poirot character of murder mystery novelist Agatha Christie with this lavish follow-up to the popular Murder on the Orient Express. During a luxurious pleasure cruise down the Nile aboard a lavish vessel populated with wealthy passengers, widely despised heiress and home wrecker Linnet Ridgeway is murdered. As more bodies pile up, however, it appears that nearly everyone aboard has a motive.

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L'Eclisse

L'Eclisse [M]

In this challenging drama by Antonioni, his characteristic long, significant periods of silence punctuate the message that people just cannot seem to communicate with each other. Capping off Antonioni's previous two films (L'avventura and La Notte) in much the same style, this tale involves a woman, Vittoria, who has just suffered the break-up of an imperfect relationship with a staunch intellectual.

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Mr. & Mrs. Smith

Mr. & Mrs. Smith [PG]

In Hitchcock's rare foray into comedy (courtesy of a wittily, risque script by Norman Krasna), Mr. Smith makes the mistake of telling Mrs. Smith that if he had it to do all over again, he might not have married her. One could be forgiven for thinking this was a Howard Hawks or Frank Capra movie, such is it 'against type' for Hitchcock.

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